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[Âü°í¼] ¹öŬ¸® À½´ë ¸®Çϸð´ÏÁ¦ÀÌ¼Ç Å×Å©´Ð : Çѱ¹¾î ÆÇ |
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| ¤ýÆǸŰ¡ | 19,800 ¿ø (10%, 2,200 ¿ø ÇÒÀÎ) | | ¤ýÀû¸³±Ý | 1,100 ¿ø (5% Àû¸³) | | | | ¤ýÃâ°£ÀÏ : 2020 ³â 12 ¿ù 1 ÀÏ | | ¤ý180 ÂÊ | 231 * 307 * 10 mm /607g | ISBN : 9791190801676 | | | | ¤ý1¸¸¿ø ÀÌ»ó ÁÖ¹®½Ã ¹«·á¹è¼Û | |
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| ¸®Çϸð´ÏÁ¦À̼ÇÀº ¿À·¡µÈ Â÷¸¦ »õ·Ó°Ô µµ»öÇÏ´Â °Í°ú ¸¶Âù°¡Áö·Î ¸á·Îµð¿¡ ºÎ¿©µÇ¾î ÀÖ´Â Çϸð´Ï¸¦ º¯°æÇÔÀ¸·Î½á °î¿¡ »õ·Î¿î »öä°¨À» ºÎ¿©ÇÏ´Â ÀÛ¾÷ÀÌ´Ù. ¿µÈÀ½¾Ç, ÇÕâ, ÇÇ¾Æ³ë ¶Ç´Â ±âŸ¸¦ ¿¬ÁÖÇÏ´Â µ¥ ÀÖ¾î °îÀ» ¹ßÀü½ÃÅ°°Å³ª Èï¹Ì·Ó°í »õ·Î¿î Æí°îÀ» ¸¸µå´Âµ¥ Àû¿ëÇÒ ¼ö ÀÖ´Â °£´ÜÇÏ°í Çõ½ÅÀûÀÎ ±â¹ýµéÀ» ´ÙÀ½°ú °°ÀÌ Á¦½ÃÇÏ°í ÀÖ´Ù.
´ë¸®ÄÚµå : °°Àº Çϸð´Ï ±â´ÉÀ» °¡Áø ´Ù¸¥ Äڵ带 »ç¿ëÇÔÀ¸·Î½á ¿ø°îÀÇ »öä°¨À» À¯ÁöÇϸ鼵µ °î¿¡ º¯È¸¦ ÁÖ´Â ±â¹ý
´ÙÀ̾ÆÅä´Ð ¾îÇÁ·ÎÄ¡ : ÇϳªÀÇ Å°¿¡¼ ¾ò¾îÁø ´ÙÀ̾ÆÅä´Ð Äڵ带 È°¿ëÇÏ¿© ¸®Çϸð´ÏÁ¦ÀÌ¼Ç ÇÏ´Â °ÍÀ¸·Î ´ëºÎºÐÀÇ ½ºÅÄ´õµå ÀçÁ ÆË¿¡¼ »ç¿ëµÇ´Â ±â¹ý
µµ¹Ì³ÍÆ® ¹× ¼ºêµµ¹Ì³ÍÆ® ÄÚµå ÷°¡Çϱâ : µµ¹Ì³ÍÆ® ¹× ¼ºêµµ¹Ì³ÍÆ® Äڵ带 »ç¿ëÇϰųª Æ®¶óÀÌÅæ ´ë¸®Äڵ带 »ç¿ëÇÏ¿© ¼¼·ÃµÈ Çϸð´ÏÀÇ »ç¿îµå¸¦ ¸¸µå´Â °Í
Çϸð´Ï ÀÚ¸®À̵¿ : À½¾ÇÀÇ Á¾Áö ÀÚ¸®¸¦ À̵¿ÇÔÀ¸·Î½á »ý±â´Â °ø°£À» »õ·Î¿î ÄÚµå·Î ä¿ì´Â ±â¹ý
¸ð´Þ ÀÎÅÍüÀÎÁö : ¸¶ÀÌ³Ê À½°è¿¡¼ ¾ò¾îÁø Äڵ带 Â÷¿ëÇÔÀ¸·Î½á ÇÁ·¹ÀÌÁîÀÇ Çϸð´Ï »ö並 ¾îµÓ°Ô ¸¸µå´Â ±â¹ý
±× ¿Ü º£À̽º ¶óÀÎ ¸¸µé±â, ÅϾî¶ó¿îµå, ÈÄÁÖÀÇ È®Àå, ÀüÁ¶ °£ÁÖ, µð¹Ì´Ï½¬ ¼¼ºì½º ÄÚµå ¿ë¹ý, ÇÏÀ̺긮µå ÄÚµå º¸ÀÌ½Ì µî À½¾ÇÀ» µ¶Ã¢ÀûÀ¸·Î ¸¸µé ¼ö ÀÖ´Â ´Ù¾çÇÑ °í±Þ ÆÐÅϵéÀ» ´Ù·é´Ù. |
Chapter 1: Simple Substitution (´ë¸®ÄÚµå) 1
Chapter 2: Diatonic Approach (´ÙÀ̾ÆÅä´Ð ¾îÇÁ·ÎÄ¡, ¿ÂÀ½°è Á¢±Ù¹ý) 11
Chapter 3: Tritone Substitution (Æ®¶óÀÌÅæ ´ë¸®ÄÚµå), Extended Dominant Seventh Chords (ÀͽºÅÙµðµå µµ¹Ì³ÍÆ® ¼¼ºì½º ÄÚµå), Extended II- V7 Patterns (ÀͽºÅÙµðµå Åõ ÆÄÀ̺ê ÆÐÅÏ) 22
Chapter 4: Displacement (ÄÚµåÀÇ À̵¿) 31
Chapter 5: Modal Interchange (¸ð´Þ ÀÎÅÍüÀÎÁö) 39
Chapter 6 : Reharmonization Using Bass Line (º£À̽º ¶óÀÎÀ» ÀÌ¿ëÇÑ ¸®Çϸð´ÏÁ¦À̼Ç) 47
Chapter 7 : Correction of Faulty Chord Symbols (¿Ã¹Ù¸¥ ÄÚµå Ç¥±â) 59
Chapter 8 : Turnarounds (ÅϾî¶ó¿îµå) 67
Chapter 9 : Extended Endings and Modulatory Interludes (È®Àå ¿£µù°ú ÀüÁ¶°£ÁÖ) 80
Chapter 10 : Basic Piano Voicing Techniques (±âº» ÇÇ¾Æ³ë º¸ÀÌ½Ì ±â¹ý) 89
Chapter 11 : Line Cliches (¶óÀΠŬ¸®¼¼) 99
Chapter 12 : Diminished Seventh Chords (µð¹Ì´Ï½¬ ¼¼ºì½º ÄÚµå) 107
µð¹Ì´Ï½¬ 7Äڵ带 µµ¹Ì³ÍÆ® 7ÄÚµå·Î ¹Ù²Ù´Â ÀÛ¾÷Àº Ŭ·¡½Ä °î¿¡¼ ÀÚÁÖ ¹ß°ßµÇ¾îÁö´Âµ¥ Á»´õ ¸ð´øÇÑ »ç¿îµå°¡ µÈ´Ù.
Chapter 13 :Modal Reharmonization (¸ð´Þ ¸®Çϸð´ÏÁ¦À̼Ç) 117
Chapter 14 : Hybrid Chord Voicings (ÇÏÀ̺긮µå ÄÚµå º¸À̽Ì) 140
Chapter 15 : Constant Structure Patterns (µ¿Çü±¸Á¶ ÆÐÅÏ) 149
Chapter 16 : Combining Modal Patterns, Hybrid Chord Voicings, and Constant Structures (¸ð´Þ ÆÐÅÏ, ÇÏÀ̺긮µå ÄÚµå º¸ÀÌ½Ì ±×¸®°í ¿¬¼Ó ±¸Á¶ÀÇ °áÇÕ ) 157
Reference Example (¿¹Á¦ Âü°í´ä¾È) 166
Glossary (¿ë¾î Çؼ³) 180 |
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